About
Lundquist Surfboards
Four generations in the water. Custom boards shaped in San Clemente for the waves we actually surf.
Our Story
Lundquist Surfboards started where Blake grew up: San Clemente, California. His family has surfed this coast for four generations. His grandfather Joe Osterkamp rode Killer Dana before the harbor was built, chasing swells up and down the coast in lineups that were mostly empty water and long glides. Joe’s shaped Blake’s understanding of what surfing is — not a performance, not an industry, but a way a family spends time together. The boards came later. The water came first.
Blake was born in 1997, the youngest of five. His grandfather Joe was known in his circles for a 12′1″ tandem by Gordie — 59 pounds of classic glass, still in the family, still ridden. The Legacy model in our catalog is a modern descendant of that board. Every time we shape one, we’re building something that links back to a longer story.
Grandpa Joe's 12'1" Gordie tandem
Heritage
The Board That Started It All
The board that anchors our family story is a 12′1″ tandem by Gordie — 59 pounds of fiberglass and foam, shaped decades before the Dana Point harbor existed. It belonged to Joe Osterkamp, Blake’s grandfather, who surfed it alongside the crew riding Killer Dana in the 1950s and ’60s.
Joe was the kind of man who taught a family what work ethic looks like: hard in everything he did, harder when it was worth doing. His face appears on some of our logos — quiet ode to the lineage.
The Gordie tandem has been restored and hangs in Blake’s brother Mitch’s house. When it’s not on the wall, it’s still ridden. The morning of Blake and Sara’s wedding, the two of them surfed that board together at San Onofre — tandem, before the ceremony, because that’s the way the family does things.
Our Legacy model is a functional descendant of the Gordie: not a copy, not a tribute piece, but a longboard shaped in the same spirit.
Learning to Surf
Blake grew up around surfing but didn’t fall in love with it until he was twelve. A summer of riding with friends — Max Putnam, Sean Watson, Jacob Trask — turned into everyday sessions and the kind of obsession most surfers recognize from their own first year.
His older brother Mitch, seventeen years his senior, took him out almost every morning of 8th grade, picking him up before school and driving to Salt Creek. Mitch had surfed the North Shore, charged big waves when called for, and knew how to put a younger brother in a spot to catch waves he’d otherwise have sat out on. That year of early mornings — learning positioning, being pushed into sets that felt too steep — shaped Blake’s read of the water more than anything else.
The Economy of Boards
At fourteen, Blake took his first job at the Ripcurl outlet in San Clemente. Most of what he made went back into surfboards and wetsuits. By sixteen, he’d restructured his high school schedule to finish classes at noon so he could work a shift, surf in the same day, and still get sleep before doing it again.
The Ripcurl years taught him the retail side of surfing — what customers ask for, what gets returned, what actually works in water versus what looks good in a display. He also started flipping surfboards on the side: buying beat-up boards at a discount, cleaning them up, getting dings repaired, reselling them. He’d flipped over 450 boards by the time he started shaping. Most of the shapes in our catalog are boards he’s personally ridden in some form before committing to a production template.
Two Years in Idaho
At eighteen, Blake spent two years serving a mission for The Church of Jesus Christ of Latter-day Saints in Boise, Idaho — teaching in Spanish across Boise, Meridian, Rupert, Twin Falls, and Sun Valley. It was two years of early mornings, long days, and work with people from every background. No surf, no boards.
He’ll tell you it was the formative experience of his life. The discipline, the Spanish, the repeated practice of showing up for people when you didn’t feel like it — all of it carries into how we run Lundquist today. Most of what happens at the shop, from the detail on an order card to the way we talk to a first-time custom customer, traces back to what those two years taught.
The First Boards
After the mission, Blake landed at BYU Hawaii in Laie, on the windward side of Oahu, twenty-five minutes from his favorite waves on the North Shore. Between classes and working at Seven Brothers, he was in the water every break.
The first board he built was for himself — a longboard, shaped and glassed start-to-finish under the guidance of Arthur “Toots” Anchinges (@mr._t00ts), a local shaper who walked Blake through the factory, showed him the pieces of the puzzle, and shared the small things most shapers guard — which blanks to pour flipped, which glass schedules hold up in Hawaiian conditions, how to read a foam’s density before you commit a cut.
The second board was for Sara, now his wife. Friends started asking next — a longboard, a twin-fin fish, a glider, a mid-length. Every one was researched, ridden, and critiqued. That’s the model that’s carried through every model we’ve made since: build it, ride it, revise it, ride it again.
Sara
Blake and Sara met at a friend’s wedding reception in Huntington Beach in the middle of a Christmas break. Blake’s best friend Jacob Trask had tried to introduce them — she’d already left by the time they arrived. They met at her house that night instead.
They saw each other almost every day for two weeks before Blake skipped his flight back to Hawaii to stretch the time a little longer. Engaged in May, married in August, living at Sunset Point in Oahu within a year.
She’s the reason the second board ever built exists. She’s the reason we surfed the Gordie tandem the morning of our wedding. And she’s the reason the Lundquist shop in San Clemente is also the Pacific Jewel shop — two brands, one space, two people running them with their kids in the back room.
Coming Home
When the pandemic started locking things down, Blake and Sara made the call to leave Hawaii and get closer to family. They drove back to San Clemente with what they could fit and started over.
What had been a side practice — building a few boards for friends — turned into real demand as people around them started reaching out. Blake was working full-time building pools, selling cars on the side, and trying to deliver custom boards that rode like custom boards should. It didn’t all fit. Something had to give. That something became the turning point: the shift from shaping every board by hand to building a process that could hold up at real production volume without giving up on the details.
How It’s Really Built
Why We Don’t Say Hand-Shaped
Most surfboards sold as “hand-shaped” aren’t. Most are CNC-cut and then finished by hand, with the amount of hand work varying by who you buy from. We do the same, and we tell you honestly: every Lundquist board starts as a design Blake drew in Shape3D, cuts on a CNC machine from a foam blank, and is then finished by hand — shaped to final spec, sanded, laminated, hot-coated, and polished by a team of people who each specialize in a phase of the build.
We believe this is the stronger path. CNC-cut blanks give us consistency and precision that hand-shaping alone can’t repeat across orders. Hand-finishing gives us the detail work — the tail detail, the rail definition, the resin tint, the pin lines — that a machine won’t do.
Being honest about the process is part of what we stand for. A hand-shape myth doesn’t survive a good conversation with the person riding the board. A real explanation of the process does.
Want the nerdy details? Read the Foam & Resin guide and Glassing Schedules guide.
Behind the Build
Watch the Process
Our Story — how a Lundquist board comes together.
The Crew
A board that leaves our shop has passed through five people. Each of them is the best at what they do, and each is part of the reason Lundquist boards ride the way they do. Blake (Founder & Designer), Steve (Machine Cut Operator & Factory Manager), Jack (Shaper & Finisher), Daniel (Design Collaborator), and Greg (Laminator).
We could keep it quiet and tell you the boards are “hand-shaped by the founder.” Most shapers do. We don’t — because it isn’t true, and because naming the team is a better story anyway. Every one of these people has spent years, in some cases decades, mastering a specific phase of the build. The board rides better because of that specialization. Telling you who they are is how we earn your trust — and how we pay respect to the people whose work you’re actually riding.
The shop — 106 W Mariposa, San Clemente
The Shop
The shop is at 106 West Mariposa in San Clemente, behind Icons of Surf in the alleyway next to CVS. By appointment. It’s also where Sara runs Pacific Jewel — two brands, one space, the two of us with our kids in the back room when they’re here.
We moved here from a retail location on El Camino in 2024. The move matched where the business was going: more custom-by-consultation, less walk-up retail. The current space gives customers room to hold a board, feel the rails, check the finish. It gives us room to actually talk about what they want.
Knock when you get here. We’ll show you around.
The Pivot
How We Work
When Lundquist Surfboards opened on El Camino, we ran a high-volume model — 175+ boards on the floor at any time, pumping out builds for retail traffic. We did that for two years.
What I learned in those two years is that what I actually love about this work is the conversation. Sitting down with a surfer, working through their stance, what waves they actually surf, how they want a board to feel underfoot — and then dialing every spec to match. I’m Type-A about it. Every board gets the attention.
So we changed the shop. We now keep 20–30 boards on display — current, top-quality builds — and the rest happens in the conversation. The boards on the floor are reference points to feel and study, not inventory to move. Many more models live in the website catalog than what’s on display at the shop, and we can build any of them custom-spec’d for you.
We’re by appointment only. There’s not always someone at the shop. Text or call to set something up — to look at boards in person, or to start a custom build conversation.
Today
What we’re building is bigger than a single season’s lineup. We want Lundquist to be the brand people remember not just for boards that rode well, but for how the brand treated them when they ordered — the conversations before the build, the detail on the order card, the honesty about process, the fact that someone picked up the phone when they called.
Most of our orders come from people who know someone who ordered before them. That’s the business we want to run. We’d rather build one board a customer loves and tells their friends about than ten boards that were fine.
The family started in the water. We’re still in it. We just get to build the boards now.
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